Phoenix Rises Again There’s no logic in the land of emotions where tears drop without explanation. I am attached to my past, keep pushing my present into it; sucking my future into my present time. When I saw him trying to severe himself from his past, I felt the pain of his effort in his words and at his face. A sure connect, I lived that pain and then it happened. Emotions swept my feet clean from under me as I observed them flow silently, fiercely. They came and I embarrassed myself in public, after a long time. But men don’t cry! I knew they’d come, those tears, just a second before they came There was a chain of reactions that drew drops out and logged them on the lenses. They’d leave their outline on drying, so I wiped the lenses clean while the liquid and the emotions that sent it there were fresh and alive. From premonition to the actual wiping live emotions. What stays behind is the guilt of letting the secret out; the fear that someone would ask about it. For men don’t cry. It’s only thrice, or four times in his adult life that a man cries. How many times can a phoenix die, and rise from the ashes? Death came visiting Death came visiting: far away. Death surprises me even today, after so many exposures, closures. I still don’t know how to react to it, how to respond; how to talk about it, how to condole. My mind keeps running away, keeps reaching towards those deaths, those dead, and those left behind. Their death close or distant, but definite, like mine. I don’t think so You say, "Don't write about what happened with you". I say, “You are right, albeit, there’s a little problem, what do I write about then? Is it okay if I write about what is happening now or will happen when I’m gone?” You say. "Don't tell me your feelings, for what you think is not poetry, Not yet". I couldn’t agree more, but I must say it now that I feel so venal when I don’t tell you truly my feelings only to save a poem, as if I care more for my poems and less for my feelings, and yours! You say "Don't reconstruct your gloomy, long-buried childhood". “Right again” I say, “Who wants to read what happened to a small child some three centuries ago, unless, of course, they feel that his past is their past too?” And then you say, "Don't shift back and forth between the mirror and your fading memory”. I don’t think I agree with this one. No. I don’t think I agree with this one. I… um… don’t think. Rajnish Mishra is a poet, writer, translator and blogger born and brought up in Varanasi, India and now in exile from his city. His work originates at the point of intersection between his psyche and his city. He edits PPP Ezine.
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