![]() The Inescapable March by Hana Carolina Review by Julie Carpenter This beautifully crafted and intricate tale is a love story wrapped in a fairy tale wrapped in an Edgar Allan Poe story. It’s set in a fantasy realm but familiar elements are used in the creation of an admirably original narrative that’s at once complex and precise. It’s the story of two lovers, Arran and Hyacinth, men with a history of a friendship that hovers on the edge of something more. The narrative turns on the relationship between time and love with the eternal but terrible present as the moment when we can choose who we bond ourselves with and how.
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![]() Sunbathers by Lindz McLeod Review by Julie Price Carpenter I am going to review some of the books I should have reviewed in 2024 particularly some of the ones that might help you parse this very weird timeline we seem to be unable to change. At the very top of the list is Lindz McLeod's Sunbathers. The subject matter is difficult, charming and dangerous, hilarious and a gut punch, all at the same time. Classic McLeod. But believe me, this is a worthwhile addition to your reading list. This book asks the questions: What if fascism is a desperate attempt to fit in, to dismiss anything and everything uncomfortable? And what is the cost of flattening diversity and individual experience out of existence? ![]() Such Winter A Poem in the Dark by Sushant Thapa Such Winter
The water is freezing, There is an outbreak of laziness. I have a youthful sensation rising. We had a battle For love. You see the irony. I care for a plant And it flowers. I care more And it withers like time. A smile is a dream For the life of tear. I met you And unexpected happiness Brought me the spring of kisses. I was on a battle For love—such ironical longings Has taken my youth away. I have forsaken Rich man’s gold And bought me How much land I need. The graveyard isn’t a home But it is the winter of heart I am afraid of. ![]() Present Tense Poetry John Yamrus Review by Julie Carpenter Present Tense has the eerie quality of making line drawings of life, as thick and evocative as a photorealistic painting, a present tense as close as breath, but as full of longing as a bad case of nostalgia. These poems are pointed, incisive, shorn of embellishment, pulling a thin line through choice to consummation. Possibility become finite. The retrospective of age.
![]() Spirit Animals by Gregg Norman SPIRIT ANIMALS Mine is a horse, she says, showing me an image of an arch-necked Arabian with flowing mane and noble eyes. And mine, he says, Is an eagle. He casts his eyes to the skies as if one might suddenly appear. They know this because of a $1,500 per head three-day retreat in the Arizona desert with a genuine shaman who didn’t sell gophers or skunks. ![]() Bio: Gregg Norman lives and writes in Manitoba, Canada. His work has been accepted by Lothlorien Poetry Journal, Dark Winter Literary Magazine, Horror Sleaze Trash, Raconteur Magazine, Medusa’s Kitchen, Suburban Witchcraft, and Borderless Journal. ![]() Fassbinder: His Movies, My Poems Drew Pisarra Review by Julie Carpenter Fassbinder: His Movies, My Poems, is a poetic reflection on the cinematic oeuvre of R.W. Fassbinder, by one of Sacred Chickens favorite poets, Drew Pisarra. It’s also one of my favorite categories of art: art that reflects on art, bending it, using it as a place to jump into something new. In this case, at the edges of the mirror Pisarra holds up to Fassbinder’s work, the world dissolves into the poet’s own creation. The reader need not know Fassbinder to enjoy this collection, but after reading these poems, you may find yourself searching out his films. ![]() Video by Bill Ectric Based on "The Bite" by Julie Carpenter Check out this video teaser of "The Bite" from Things Get Weird in Whistlestop. The incomparable Bill Ectric imagines the neat, small world of Mary Edelson Brooks as it comes undone. Subscribe to his YouTube Channel and visit him at billectricking.com. Check out his collaboration with artist Nick Dunkenstein in Tamper Illustrated. ![]() Morty's Miraculous Return A few years ago Uncle Morty suffered a series of unfortunate accidents that left him in pieces. Literally. Work was out of the question, of course. Complaining not so much. Who can blame him? Being reduced to a head and a pile of bones can't be a pleasant fate. Fortunately, it turned out that his metaphysical disorder left open the possibility that he could be re-embodied in a whole new set of bones. After some amount of searching and a few false starts, his new body was obtained. The next question was how to move the old grump from one to the other. We researched rituals and spells at length, but it turned out that all he needed was a five year old who loved him very much to turn on his eyes and Voila! Morty had a brand new body. ![]() Gore, a Graphic Novel Written by Verity Holloway Art by Ivo de Jager Black Panel Press July 2023 Review by Roy Peak Beryl Gore, a lonely orphan in Victorian London, dreams of being more than just a stagehand at the Palace Theatre. Every night she walks through the dirty streets, past slaughterhouses and filth, to get to the Palace, where, enamored of the stories she watches unfold every night, she writes her own plays. She tries to get Mr. Perry, the theatre owner, to read them, but he always refuses. We see Beryl, and the theatre itself, age as the story progresses through the years, Beryl becoming older, the theatre losing it's luster and it's audience. When Beryl finds out the theatre is in trouble, will her newly written play be just the thing it needs? We see a lot of the story through Beryl's eyes, de Jager's art bringing Beryl's thoughts to the surface wonderfully through emotive facial expressions. Holloway's story is simple, yet powerful, utilizing a less is more approach works well to bring Beryl's story to life. I'm a big fan of black and white art and de Jager does a great job with clean line work and details such as fish in the river, the aging of Beryl gracefully through the story, and the playbills that go with the differing plays presented in the story. I really enjoyed the art as well as the story, they’re a great match for one another. Holloway's story is full of whimsy and sadness, a heartfelt, melancholic story of perseverance and hope. Click this link to see more and purchase: https://www.blackpanelpress.com/en/product/gore/ ![]() Bio: Roy Peak has played electric bass in more bands than he cares to remember for more years than he can remember. He wrote the theme song for the Utica, New York radio show "Hey You Kids, Get Off My Lawn" on WPNR-FM. His solo debut album, All Is Well, has been called "Loud, cacophonous, and beautiful by a truly unique artist." His short fiction has been published in The Dead Mule School of Southern Literature and he writes music reviews for the King Tut Vintage Album Museum of Jacksonville. Roy writes music reviews for the Rocking Magpie among others. Check him out on bandcamp.com |
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